'Last American Indian' Finds Challenges in Performance Art
On a gray October morning, the Lincoln Memorial is teeming with tourists. Many are so intent on jockeying for a good spot to take a photo of the presidential statue, they seem to miss the 6-foot-4 man wearing a feathered headdress.
With a black handprint painted across his unsmiling face, he looks like a Native American caricature: black wool leggings bordered with fringe and a matching loincloth hanging from a belted loop. At times, he holds cardboard signs saying: “My Spirit Animal Is White Guilt” and “This Used to Be Indian Land But Everything Went to Crap.”
This is the fourth time Montclair artist Gregg Deal has brought his performance piece, “The Last American Indian on Earth,” to this well-trod spot.
Read more (Washington Post Magazine, Feb. 16, 2014)
With a black handprint painted across his unsmiling face, he looks like a Native American caricature: black wool leggings bordered with fringe and a matching loincloth hanging from a belted loop. At times, he holds cardboard signs saying: “My Spirit Animal Is White Guilt” and “This Used to Be Indian Land But Everything Went to Crap.”
This is the fourth time Montclair artist Gregg Deal has brought his performance piece, “The Last American Indian on Earth,” to this well-trod spot.
Read more (Washington Post Magazine, Feb. 16, 2014)
Murder in the Village: With No Witnesses and Little Evidence, the Mystery of Carl Diener’s Death Seemed Impossible to Solve
Tammy Bagnato was about to break the law. It was 5:40 in the morning, just a few days after Christmas 2009, and she was standing outside a ground-level apartment unit at the Fort Strong Properties complex, trying to find a way inside. She had already tried the windows and the sliding-glass door, to no avail.
She called 9-1-1 to warn the Arlington County Police dispatcher that she was ready to break the door down.
“Just stay there. I’ll have someone there right away,” the operator told her.
The apartment, on North Calvert Street in Arlington, was the home of Bagnato’s friend and weekend biking companion, Carl Diener. He had lived there 35 years.
Diener worked at the Arlington Sport & Health on North Kirkwood Road and was known to be punctual. Early birds like Bagnato counted on him to open the health club in the wee hours so they could fit in their workouts before work.
“He was the only person I actually saw every single day of my life,” says Bagnato, now 47, a trim brunette with long hair. “I knew his ways. I told him, ‘If you ever don’t show up, I’m calling the police.’”
Read more (Arlington Magazine, July/August 2013)
She called 9-1-1 to warn the Arlington County Police dispatcher that she was ready to break the door down.
“Just stay there. I’ll have someone there right away,” the operator told her.
The apartment, on North Calvert Street in Arlington, was the home of Bagnato’s friend and weekend biking companion, Carl Diener. He had lived there 35 years.
Diener worked at the Arlington Sport & Health on North Kirkwood Road and was known to be punctual. Early birds like Bagnato counted on him to open the health club in the wee hours so they could fit in their workouts before work.
“He was the only person I actually saw every single day of my life,” says Bagnato, now 47, a trim brunette with long hair. “I knew his ways. I told him, ‘If you ever don’t show up, I’m calling the police.’”
Read more (Arlington Magazine, July/August 2013)
Is Eating Local Really Healthier & Better for the Environment?
Tom Coates pulls out his cellphone to make sure he hasn’t missed any calls. “I need to pick up a steer,” he explains, sliding the phone back in his pocket. He’s waiting for a ring from Milcreek Farm in Lovettsville, Va. Once notified, he’ll drive approximately 50 miles to the farm to pick up 500 pounds of steaks and ground beef.
What’s surprising about Coates’ statement isn’t just what he says. It’s how he says it—with everyday nonchalance—and where he says it—standing in the middle of a 1,400-square-foot mom-and-pop store. As the owner of The Local Market in Falls Church, a shop that sells more than a dozen items from nearby producers—from hummus to fresh pasta—Coates is a present-day ambassador of the locavore movement.
It’s been seven years since the debut of The Omnivore’s Dilemma, in which author Michael Pollan gave Americans an unflinching gut check on where our food comes from; and six years since the word locavore (a person who aims to eat locally produced food) was named word of the year by the Oxford American Dictionary.
Read more (Arlington Magazine, May/June 2013)
What’s surprising about Coates’ statement isn’t just what he says. It’s how he says it—with everyday nonchalance—and where he says it—standing in the middle of a 1,400-square-foot mom-and-pop store. As the owner of The Local Market in Falls Church, a shop that sells more than a dozen items from nearby producers—from hummus to fresh pasta—Coates is a present-day ambassador of the locavore movement.
It’s been seven years since the debut of The Omnivore’s Dilemma, in which author Michael Pollan gave Americans an unflinching gut check on where our food comes from; and six years since the word locavore (a person who aims to eat locally produced food) was named word of the year by the Oxford American Dictionary.
Read more (Arlington Magazine, May/June 2013)
The Accidental Artists: Submerge Founders are Shaking Up D.C.’s Art Scene
After a night of drinking, Brandon Hill and Peter Chang slid into a booth at Plato’s Diner in College Park with friends.
Hill had just graduated from the University of Maryland, and Chang was finishing up his senior year. Neither was putting his major to much use yet. Hill, with a graphic design degree, was shlepping from Towson to Baltimore every day to work in visitor services at the National Aquarium. Chang, living in a College Park group house, was working part time at the Burtonsville Hobby City.
Their real passions were what they did after work: Chang toured and competed with the All Ways Rockin’ Dance Crew, which he helped found. For Hill, it was art. He had begun experimenting with photo-realistic-style drawings and woodworking techniques he learned from his father, a carpenter.
“I built a sail,” says Hill, 29. “It was one of my first really nice wood pieces that had no [expletive] purpose in life but to exist.”
As they dug into the hamburgers, steak ’n’ cheeses and fries before them at Plato’s, the conversation turned to what qualifies as art. Earlier in the evening, Chang had leafed through a book that mentioned the 1960s performance artist Yves Klein. Some of Klein’s well-known pieces were made by dragging and pressing naked women covered in blue paint onto large canvases.
Read more (Washington Post Magazine, Oct. 28, 2012)
Hill had just graduated from the University of Maryland, and Chang was finishing up his senior year. Neither was putting his major to much use yet. Hill, with a graphic design degree, was shlepping from Towson to Baltimore every day to work in visitor services at the National Aquarium. Chang, living in a College Park group house, was working part time at the Burtonsville Hobby City.
Their real passions were what they did after work: Chang toured and competed with the All Ways Rockin’ Dance Crew, which he helped found. For Hill, it was art. He had begun experimenting with photo-realistic-style drawings and woodworking techniques he learned from his father, a carpenter.
“I built a sail,” says Hill, 29. “It was one of my first really nice wood pieces that had no [expletive] purpose in life but to exist.”
As they dug into the hamburgers, steak ’n’ cheeses and fries before them at Plato’s, the conversation turned to what qualifies as art. Earlier in the evening, Chang had leafed through a book that mentioned the 1960s performance artist Yves Klein. Some of Klein’s well-known pieces were made by dragging and pressing naked women covered in blue paint onto large canvases.
Read more (Washington Post Magazine, Oct. 28, 2012)
Worlds Apart: Incomes and Property Values are Rising in Arlington ... So is the Number of Residents Relying on Food Pantries, Free Medical Care and Housing Assistance
"Come on, Federer! Prove why you’re number one! Come on, fool!”
It’s a late morning in August, and Marvin “Happy” Robbins is glued to his 63-inch TV, watching the men’s tennis semifinals of the Olympics. The singles match between Roger Federer and Juan Martin del Potro has astonishingly continued for more than four hours.
A confessed sports nut, Robbins, 77, usually starts his days this way, watching whatever athletic entertainment the tube brings to his 500-square-foot apartment. It’s a cozy place. A Dallas Cowboys jacket is slung over a nearby chair. His Army baseball cap sits atop a Tupperware container filled with medications. A couple baseballs are housed in a plastic holder on top of the TV. The one-bedroom off Columbia Pike has been Robbins’ home for 27 years. He’s hoping to keep it that way.
“It’s not rent-controlled. It just went up this month,” he says, noting that his rent is now $1,286 after a recent increase of $61. It’s a far cry from his early days in the eight-floor building, when the monthly payment was $546. “It’s ridiculous what they do.”
Robbins is not alone. He’s one of thousands of Arlingtonians struggling to get by in a county that’s been their home for years.
In a community with a 3.5 percent unemployment rate (the national average is 7.8 percent) and the nation’s second largest “creative class”—a term coined by author Richard Florida for white-collar professionals who work in sectors such as technology, health care, arts and education—it’s all too easy to overlook those who are getting left behind.
But their numbers are growing. Arlington County’s Economic Independence Services division, which provides employment, food and housing assistance, has seen a 46.4 percent increase in walk-in customers in the past four years—up from 39,264 people in 2008 to 57,488 this year.
The number of Arlington households on food stamps has risen by 79 percent since 2008. Nearly a third of Arlington’s schoolchildren now qualify for free or subsidized school lunches.
According to the Arlington Free Clinic, a nonprofit that provides free medical care to residents in need, 15,351 adults in the county between the ages of 19 and 64 have no health insurance.
Read more (Arlington Magazine, Nov/Dec. 2012)
It’s a late morning in August, and Marvin “Happy” Robbins is glued to his 63-inch TV, watching the men’s tennis semifinals of the Olympics. The singles match between Roger Federer and Juan Martin del Potro has astonishingly continued for more than four hours.
A confessed sports nut, Robbins, 77, usually starts his days this way, watching whatever athletic entertainment the tube brings to his 500-square-foot apartment. It’s a cozy place. A Dallas Cowboys jacket is slung over a nearby chair. His Army baseball cap sits atop a Tupperware container filled with medications. A couple baseballs are housed in a plastic holder on top of the TV. The one-bedroom off Columbia Pike has been Robbins’ home for 27 years. He’s hoping to keep it that way.
“It’s not rent-controlled. It just went up this month,” he says, noting that his rent is now $1,286 after a recent increase of $61. It’s a far cry from his early days in the eight-floor building, when the monthly payment was $546. “It’s ridiculous what they do.”
Robbins is not alone. He’s one of thousands of Arlingtonians struggling to get by in a county that’s been their home for years.
In a community with a 3.5 percent unemployment rate (the national average is 7.8 percent) and the nation’s second largest “creative class”—a term coined by author Richard Florida for white-collar professionals who work in sectors such as technology, health care, arts and education—it’s all too easy to overlook those who are getting left behind.
But their numbers are growing. Arlington County’s Economic Independence Services division, which provides employment, food and housing assistance, has seen a 46.4 percent increase in walk-in customers in the past four years—up from 39,264 people in 2008 to 57,488 this year.
The number of Arlington households on food stamps has risen by 79 percent since 2008. Nearly a third of Arlington’s schoolchildren now qualify for free or subsidized school lunches.
According to the Arlington Free Clinic, a nonprofit that provides free medical care to residents in need, 15,351 adults in the county between the ages of 19 and 64 have no health insurance.
Read more (Arlington Magazine, Nov/Dec. 2012)
An Ex-Model, a Wild Man and the Making of an Outrageous Movie
Ginger Baker is furious. The legendary 70-year-old drummer brandishes a cane as he stomps across his South African yard toward a documentary filmmaker named Jay Bulger. Baker leans through the open door of Bulger’s Toyota 4Runner, angling the cane toward him.
“You’re really going to hit me with a [expletive] cane?” says Bulger, sounding incredulous and provocative at the same time.
After all, there’s a cinematographer next to him, with the camera rolling.
“I [expletive] well am!” Baker barks. “I’m going to [expletive] put you in hospital!” The former Cream drummer thrusts the cane forward. There’s an “Oof!” from Bulger, then Baker straightens up — he’s wearing sunglasses that can’t hide his wide-eyed glare — and storms into his house.
Bulger looks at his reflection in the car’s visor mirror. Blood trickles from his nose. “Ginger Baker just hit me in the [expletive] nose,” he says matter-of-factly.
The altercation, painful as it is, isn’t a total waste. After all, it makes for great footage. “In my mind, I’m thinking, ‘God, this is pretty awesome,’ ” recalls the cinematographer, Eric Robbins.
And thus was born the opening scene of “Beware of Mr. Baker,” the first documentary by Bulger, a Washington native who, at age 30, already has been a boxer, an international fashion model, a music video director and a freelance writer. The movie has scored a coveted premiere slot at the South by Southwest film festival later this week. Bulger hopes it will kick-start his career and, maybe, revive interest in Baker’s.
“Ginger Baker is the greatest drummer of all time,” Bulger says.
And, “He’s a really strange character.” Read more (Washington Post Magazine, Mar. 4, 2012)
“You’re really going to hit me with a [expletive] cane?” says Bulger, sounding incredulous and provocative at the same time.
After all, there’s a cinematographer next to him, with the camera rolling.
“I [expletive] well am!” Baker barks. “I’m going to [expletive] put you in hospital!” The former Cream drummer thrusts the cane forward. There’s an “Oof!” from Bulger, then Baker straightens up — he’s wearing sunglasses that can’t hide his wide-eyed glare — and storms into his house.
Bulger looks at his reflection in the car’s visor mirror. Blood trickles from his nose. “Ginger Baker just hit me in the [expletive] nose,” he says matter-of-factly.
The altercation, painful as it is, isn’t a total waste. After all, it makes for great footage. “In my mind, I’m thinking, ‘God, this is pretty awesome,’ ” recalls the cinematographer, Eric Robbins.
And thus was born the opening scene of “Beware of Mr. Baker,” the first documentary by Bulger, a Washington native who, at age 30, already has been a boxer, an international fashion model, a music video director and a freelance writer. The movie has scored a coveted premiere slot at the South by Southwest film festival later this week. Bulger hopes it will kick-start his career and, maybe, revive interest in Baker’s.
“Ginger Baker is the greatest drummer of all time,” Bulger says.
And, “He’s a really strange character.” Read more (Washington Post Magazine, Mar. 4, 2012)
Cheeky Bastards: Hundreds of Contestants Descend on Amish Country to Fight for Facial-hair Dominance in One of the Nation's Top Beard Competitions
“I’m sorry ladies and gentlemen. Cocaine’s a hell of a drug.” Jack Passion offers up these words of consolation on a sunny October afternoon in Lancaster, Pennsylvania. It’s 4:20 p.m. and an afro bearded Neanderthal of a man has rushed the stage without warning. Wearing a red jumpsuit that resembles both an oriental rug and terry cloth robe, the roustabout is undulating his bear-size body and shouting unintelligible inanities.
An amused audience member in the stadium's second floor skybox says, “Man that guy is totally tripping balls. Awesome.”
Passion (yes that’s a stage name) is not as thrilled. It's the 27-year-old's responsibility as emcee to keep the day’s festivities moving. As a police officer makes his way to the stage, Passion admits “You never know what you’re going to see at a beard competition. I’m pretty down with anything. But if you grab my beard when you try to grab the mike …” He shakes his head, swaying the 24-inches of auburn locks beneath his chin.
Read more (Penthouse, Feb. 2012)
An amused audience member in the stadium's second floor skybox says, “Man that guy is totally tripping balls. Awesome.”
Passion (yes that’s a stage name) is not as thrilled. It's the 27-year-old's responsibility as emcee to keep the day’s festivities moving. As a police officer makes his way to the stage, Passion admits “You never know what you’re going to see at a beard competition. I’m pretty down with anything. But if you grab my beard when you try to grab the mike …” He shakes his head, swaying the 24-inches of auburn locks beneath his chin.
Read more (Penthouse, Feb. 2012)
When an American in Afghanistan Fell in Love with a Stray Dog, She Couldn't Leave the Animal Behind
While working as a USAID contractor in Afghanistan last September, Katherine Martin noticed something unusual outside the front area of her office: a ten-pound ball of fur covered in dust. Speaking through a translator, she asked the Afghan guards what the puppy—which was too weak to stand—was doing there.“That’s just a dog,” a guard said. “We kick it on our way in.”
Martin lured the dog inside and gave her a bath. Within weeks, Spike—whose name is derived from the Pashto word for a female dog—was a familiar face at the heavily fortified compound where Martin stayed. The pair made a game of chasing each other around a fountain. “She really saved my sanity while I was there,” says Martin, who often heard explosions outside her windows.
Martin, 31, spent her days in Afghanistan’s Helmand province, where she worked on an agriculture program.
Read more (Washingtonian, Sept. 2011)
Martin lured the dog inside and gave her a bath. Within weeks, Spike—whose name is derived from the Pashto word for a female dog—was a familiar face at the heavily fortified compound where Martin stayed. The pair made a game of chasing each other around a fountain. “She really saved my sanity while I was there,” says Martin, who often heard explosions outside her windows.
Martin, 31, spent her days in Afghanistan’s Helmand province, where she worked on an agriculture program.
Read more (Washingtonian, Sept. 2011)
When Weird is Wonderful: A Sideshow Husband-and-wife Team
Thrill Kill Jill smiles coyly and arches her back against the wooden board behind her. Her raven hair tumbles down alabaster shoulders and a silvery fringe bikini. She raises her tattoo-adorned arms overhead and directs her gaze across the stage
There stands Tyler Fyre, dressed in red pants, suspenders and a black tank top, with a dagger in his right palm.
Before them mill about 150 people, including men in top hats and girls on roller skates. The colorful crowd is here for the Sideshow Gathering, a convention for performers whose many talents include sword-swallowing and sticking nails up their noses.
"Here we go!" calls Tyler, letting the first dagger fly.
Read more (Washington Post Magazine Jan. 30, 2011)
There stands Tyler Fyre, dressed in red pants, suspenders and a black tank top, with a dagger in his right palm.
Before them mill about 150 people, including men in top hats and girls on roller skates. The colorful crowd is here for the Sideshow Gathering, a convention for performers whose many talents include sword-swallowing and sticking nails up their noses.
"Here we go!" calls Tyler, letting the first dagger fly.
Read more (Washington Post Magazine Jan. 30, 2011)
Unnecessary Roughness: Why Does Prince George's County Use SWAT Teams for so Many Nonviolent Offenses?
Walking around Cheye Calvo’s living room in the Prince George’s County town of Berwyn Heights, it’s hard to believe that 2½ years ago it was a scene of violence. Calvo stands by the fireplace in a green L.L. Bean sweatshirt, jeans, and cocoa-colored Crocs.
“Want to see them?” he asks, gesturing to a crimson wooden box to the left of the mantle. On top of it are a framed picture of two black Labradors, a figurine of two dogs, and a stuffed toy puppy. He opens the box, revealing two gallon-size Ziploc bags. Calvo takes one in his left palm—“Payton”—and lifts the second into his right. “Chase,” he says. “You know by size.”
At seven years old, Payton was slightly larger than four-year-old Chase. Calvo had both dogs cremated in August 2008 after they were killed in a botched drug bust by the Prince George’s County Sheriff’s Office and the Prince George’s County Narcotic Enforcement Office.
“You always think, ‘At least he went peacefully,’ ” Calvo says. “That’s the consolation you use when someone passes. Well, my dogs didn’t go peacefully.”
Neither will Calvo. Read more (Washingtonian, Jan. 2011)
“Want to see them?” he asks, gesturing to a crimson wooden box to the left of the mantle. On top of it are a framed picture of two black Labradors, a figurine of two dogs, and a stuffed toy puppy. He opens the box, revealing two gallon-size Ziploc bags. Calvo takes one in his left palm—“Payton”—and lifts the second into his right. “Chase,” he says. “You know by size.”
At seven years old, Payton was slightly larger than four-year-old Chase. Calvo had both dogs cremated in August 2008 after they were killed in a botched drug bust by the Prince George’s County Sheriff’s Office and the Prince George’s County Narcotic Enforcement Office.
“You always think, ‘At least he went peacefully,’ ” Calvo says. “That’s the consolation you use when someone passes. Well, my dogs didn’t go peacefully.”
Neither will Calvo. Read more (Washingtonian, Jan. 2011)
Exit Stage Braaiinnssss: Bringing Night of the Living Dead to Stage — Sans Zombies
One evening eight years ago, Stephen Gregory Smith did something he admits sounds a little silly now: He covered the windows of his Fairlington apartment with blankets. His mother had called earlier from Connellsville, Pa., to tell him she’d seen a news report that the Beltway sniper, then rampant, had shot someone near his house.
“My mom said, ‘You know what, you should put blankets over your windows,’” Smith, 32, says. “I said, ‘Well, why?’ She said, ‘What if he starts shooting in houses?’ And I said, ‘Well mom he hasn’t shot in houses.’ She says, ‘He hasn’t—yet.’ The next thing I know I’m digging out blankets.”
Once he’d covered his last frame, Smith returned to his couch to continue watching George A. Romero’s Night of the Living Dead.
Read more (Washington City Paper, Dec. 02, 2010)
“My mom said, ‘You know what, you should put blankets over your windows,’” Smith, 32, says. “I said, ‘Well, why?’ She said, ‘What if he starts shooting in houses?’ And I said, ‘Well mom he hasn’t shot in houses.’ She says, ‘He hasn’t—yet.’ The next thing I know I’m digging out blankets.”
Once he’d covered his last frame, Smith returned to his couch to continue watching George A. Romero’s Night of the Living Dead.
Read more (Washington City Paper, Dec. 02, 2010)
Temporary Art: Meet the Guy Who Makes Those Elaborate, Irreverent Works of Chalk Art You've Seen at D.C. Bars
Patrick Owens was frustrated. As the bar manager for Bourbon's Adams Morgan location, he noticed more and more chalkboard stands on the 18th Street sidewalk advertising drink specials with bland happy hour cliches rendered in slapdash lettering. The lack of effort perturbed him. "It's a defeatist attitude: 'Oh, it's just going to get wiped away, so we don't need to make it look nice at all,'" he said.
It was a mind-set Owens couldn't relate to. During art class at Fairfax's W.T. Woodson High School, he had been the student who would take a five-minute drawing exercise and work on it for the entire period. "The teacher was really impressed," he recalls, "but she was like, 'You kind of missed the point.'" His emphasis has been to put as much effort as possible into his creative endeavors -- no matter the shelf life.
Read more (Washington Post Magazine, Sept. 5, 2010)
It was a mind-set Owens couldn't relate to. During art class at Fairfax's W.T. Woodson High School, he had been the student who would take a five-minute drawing exercise and work on it for the entire period. "The teacher was really impressed," he recalls, "but she was like, 'You kind of missed the point.'" His emphasis has been to put as much effort as possible into his creative endeavors -- no matter the shelf life.
Read more (Washington Post Magazine, Sept. 5, 2010)
Answering a Call to Arms: Ladies Wrestle for Charity
Lifting weights can be painfully monotonous . . . up, down, up, down, up, down . . . unless you let your creative whimsy run wild.
It's unclear whether creativity or whimsy was running wilder between exercise pals Jennifer Hoyt Tidwell and Jodie Plaisance that November day in 2007, but what resulted was anything but monotonous.
They invented a fantasy sports league in which outrageously dressed, bawdy femmes challenge each other to arm-wrestling matches. Then they dumped the fantasy part.
"Soon I started asking people, 'Would you join an arm-wrestling league if you could?' " Hoyt Tidwell, 37, says with a laugh. "I was half-kidding."
Read more (Washington Post, Feb. 27, 2010)
It's unclear whether creativity or whimsy was running wilder between exercise pals Jennifer Hoyt Tidwell and Jodie Plaisance that November day in 2007, but what resulted was anything but monotonous.
They invented a fantasy sports league in which outrageously dressed, bawdy femmes challenge each other to arm-wrestling matches. Then they dumped the fantasy part.
"Soon I started asking people, 'Would you join an arm-wrestling league if you could?' " Hoyt Tidwell, 37, says with a laugh. "I was half-kidding."
Read more (Washington Post, Feb. 27, 2010)
Air Apparent: Lance Kasten Won't Stop Rocking
Lance Kasten stands in the gritty back alley of the 9:30 Club, looking over a handwritten list of spins and pelvic thrusts.
"I'm going to do a 360 hop," he says. "Then I'm going to do a shake. Then I'm going to do one pelvic thrust. ..." He, like his opponents at the regional contest of the U.S. Air Guitar league, will spend 60 seconds jamming and gyrating to a soundtrack of his choosing -- holding an imaginary instrument. Kasten's performance will kick off with the Black Eyed Peas' "Pump It" before segueing into Van Halen's "Somebody Get Me a Doctor." "There's a spot right in it where I can take the guitar off, throw it up in the air and do a quick 360, catch it -- and then I'm going to punt my air guitar."
He scans the list a few more times before putting it in his back pocket. Then he hotfoots it to his SUV parked on V Street.
Read more (Washington Post Magazine, July 18, 2010)
"I'm going to do a 360 hop," he says. "Then I'm going to do a shake. Then I'm going to do one pelvic thrust. ..." He, like his opponents at the regional contest of the U.S. Air Guitar league, will spend 60 seconds jamming and gyrating to a soundtrack of his choosing -- holding an imaginary instrument. Kasten's performance will kick off with the Black Eyed Peas' "Pump It" before segueing into Van Halen's "Somebody Get Me a Doctor." "There's a spot right in it where I can take the guitar off, throw it up in the air and do a quick 360, catch it -- and then I'm going to punt my air guitar."
He scans the list a few more times before putting it in his back pocket. Then he hotfoots it to his SUV parked on V Street.
Read more (Washington Post Magazine, July 18, 2010)