The words are here. Selected photos -- from my non-photographer self -- below. To follow Gregg Deal's ongoing project head here.
Look what I learned to do this weekend!
That's actually performer Majolie Nadeau and Roucio, a Lusitano stallion. When I spoke with her for my Closer Inspection on Cavalia's latest equestrian spectacle, "Odysseo" (think Cirque du Soleil with horses), she told me she puts an incredible amount of trust in her equestrian partner. “I have a back-up horse that I use sometimes, but it’s tricky because he doesn’t move the same way,” she explains. “This horse really has my trust. Sometimes he might feel grumpy or see something and get scared. There’s always a risk. If he decides to be afraid of something or surprised, there’s never 100 percent nothing will happen, but yeah, for sure I give all my trust to this horse. I put my life on him.”
Nadeau first joined the Cavalia team in 2006 as a gymnast and aerial acrobat. However, the Canadian wanted to become a rider in the show as well, despite the fact she’d only ridden a horse a couple times prior. In 2009, she had 20 days of intense training with Cavalia’s equestrian director Benjamin Aillaud before making her first equestrian appearance in September 2009. She believes her previous experience helped her become a quick learner. “As a gymnast you know your body upside down, on the side, on your feet,” she explains. “So it helped a lot with knowing where my body was when I’m on the horse.”
D.C. area peeps: You can see the show for yourself through Oct. 27 at National Harbor. Jump on it!
What's that? You were so intrigued by my most recent Closer Inspection on Favourite Ice's clear cubes, that you had to see more for yourself? Oh no, you weren't? Well you should have been. Check out some vids I shot while on assignment and apologize by buying me a cocktail that looks like this beaut from Range.
During Ben and I's visit to the National Museum for Natural History for a Closer Inspection shoot, this little guy couldn't get enough of Ben. Feeling scorned, I asked the museum’s Insect Zoo and Butterfly Pavilion manager Dan Babbitt why some butterflies prefer certain people.
That's simple, he said. They may be attracted to the color a person’s wearing or a person’s scent (the fruitier the better.)
“Sweat’s a big one because they’ll come and drink it off of you,” says Babbitt. “Especially the males, they need salt. So they’ll find those in different ways, and one is sweaty people -- they’ll take advantage of that.”
With each Closer Inspection, I aim to promote atypical local finds or shine a light on something in our area that is not receiving the attention it deserves. My latest subject, the Bell of Peace & Harmony, is definitely the latter. I came upon this amazing local landmark as a matter of happenstance. Who knew it's only one of two such structures in the nation?
It's a beautiful site. If you're in the D.C. area, I recommend the short road trip to the Meadowlark Botanical Gardens to see it yourself.
Need more convincing?
I thought you'd never ask!
(Here are more facts and photos that didn't make the print edition)
To the right of the pavilion that houses the bell, stand four totem poles, called jangseung, that were created by Korean woodcarver Kim Jong-heung. “He’s sort of this semi-sacred aboriginal figure,” says Tomlinson. “Not a monk, more like a shaman.”
Here's a video of Kim Jong-heung at work on another project below.
The totems were a gift from the North Jeolla Province government in South Korea. In Korean culture, “totems could be considered a warning not to come in, they could also be considered a greeting,” says Meadowlark garden manager Keith Tomlinson. “Likewise the bell could be utilized for the most celebratory cultural event one can imagine it can also be utilized as a warning for a fire or a tragedy. An alarm.”
The 12 feet tall female and male pair on the left are more aboriginal in nature and are meant to depict Korean origins of thousands of years ago, says Tomlinson. The male figure on the left says ‘king for heaven’ in Korean, while the female figure says ‘queen of earth.’ The 10 feet tall couple on the right are more traditional and symbolize the Silla Dynasty. Both male and female figures say the same thing: “Korean Bell Garden.” The words are carved in Korean on the male figure and in English on the female.
The garden contains nine concrete murals that “are artistically and materially unique to Korean architecture,” says Tomlinson. They were inlaid into walls near the garden’s entrance. This eponymous mural, called the Wall of the Ten Symbols of Longevity (shipjangsaengdo), depicts the aforementioned Korean symbols which include the crane, deer and pine trees.
Near the entryway of the five-acre garden stand two five and half feet tall statues, dol hareubang, made of volcanic rock. Donated by Jeju Province, the statues were often placed at city gates to ward off harm.
Yikes! Can't believe it's been two months since I last did a blog post. Sorry folks! One of the hazards of being a freelance writer is biting off more than you can chew -- and let's just say I've had quite a mouthful over the last few months. Turning in some big assignments at week's end, so I'm starting to get back to my regular sked/sanity.
Speaking of sanity ...just had to share this factoid that didn't make it in the print edition of my Closer Inspection on the Arnold Map, a map of D.C. that dates back to 1862.
See the photo above?
I just love that it actually says "insane asylum" -- definitely not a phrase you'd see on a map today.
The asylum was called the Government Hospital for the Insane, a federal hospital that was established in 1855, later renamed St. Elizabeth’s in 1916.
While still operational on its east campus (now under the jurisdiction of the DC Department of Mental Health) the west campus is being renovated for ...
.... wait for it ....
... the future headquarters of Homeland Security.
Good morning lovelies! This week's Closer Inspection pays a visit to Jigsaw Art, the wonderful brainchild of Montgomery Village resident Thom Spencer. Here are some additional shots of Spencer's pieces that didn't make it in print. Love his think-outside-the-box mentality. Such neat creations!
Most of Spencer’s puzzles -- such as this hairdryer piece ($200) --start as a doodle on his graph paper notepad. “Needless to say not all doodles make it,” he says.
Creativity and pushing boundaries is key to the puzzles Spencer creates. Case in point? This heart puzzle ($400), has nine puzzles within a puzzle and took 20 hours to make.
Spencer made this freehand-style piece from a piece of scrap wood. It mimics the style of Spencer’s idol puzzle cutter,” John Stokes of San Diego. “He does really amazing cuts, extremely intricate,” says Spencer. “…. I tried to make my cuts similar to his, but they weren’t nearly as cool or intricate.”
In November, Spencer began making jigsaw ornaments such as these ($8 each, two for $15) to sell at local craft shows. Shapes he’s made thus far include cats, dogs, hearts and stars.
Heyo! By now, you should know the drill. I write a Closer Inspection, but of course have loads of extra tid-bits that didn't make it in the print edition. This week's topic? J. Chocolatier in Georgetown.
Probably not the best idea to read if you're even the slightest bit hungry. The pics alone will have you out the door in a sec.
J. Chocolatier owner Jane Morris was quite patient with Ben and I as we took over her space with camera equipment for a couple hours. Ah the price of local fame!
Morris brings out this warm clove flavored truffle (above) for the fall and winter. She says it “harkens back to how chocolate was enjoyed several hundreds of years ago.” After finding a reprint of a centuries old Spanish chocolate drink online, Morris decided to recreate it in a solid form using the same ingredients which include cloves, cinnamon, ancho chile and vanilla. To give the dark chocolate a rustic appearance, she tops each with crushed cocoa nibs.
Like most chocolatiers, Morris doesn’t make chocolate from scratch. “We don’t take cacao from the bean,” she says. “We use what’s called chocolate couverture which really just means high quality chocolate. Chocolate with a lot of cocoa butter in it.”
She uses multiple types of couverture to create her treats. She uses Callebaut bittersweet and semisweet to create ganache, or soft filling, for her bonbons. “Those are blended chocolates, in other words the beans don’t come from one single-origin,” she says. “Those are our workhorse chocolates.” She also uses two single-origin chocolates, produced by the small, upscale company Felchlin: Cacao Maracaibo (with beans sourced from Venezuela) and Ghana Accra (with beans from Ghana) to make the truffles’ shells.
It’s a two to three day process to make her chocolates, Morris says. She starts off by making the chocolate’s shell by pouring tempered chocolate into a plastic mold. Once that’s hardened, a ganache is made and placed in a rubber bottle so it can be piped into the shell. The chocolate then sits overnight so additional moisture can evaporate. The following day, each chocolate piece is capped with liquid chocolate. Once that hardens, the chocolates are then cracked out of the mold, hand-rolled in a finish coat of chocolate and decorated accordingly before each is placed in its own candy cup.
The Fleur de Sel caramel is the most popular chocolate J. Chocolatier sells. “It’s a liquid caramel, not a chewy one,” says Morris. “We add more cream and butter then what you typically see in a recipe. I call that one the trifecta because it’s salt, fat and sweet.”
The print on the Earl Grey chocolates are created by textured sheets Morris places inside her chocolate molds. She dusts each piece with 24-karat pulverized gold. “We use a tiny, tiny, tiny bit,” she says. “ A little vial will last me two years because you’re using such an infinitesimal amount, but you really see it.”
Want to see chocolate magic in action? Chocolatier Alex Wells shows us the basics below. It smelled so good, it's a shame this video isn't scratch 'n' sniff!
Oy vey! As happens with most of my Closer Inspections in the WaPo Mag, we can't fit every item I write about in the one-page feature. This time around, some of my fave pieces from this collection of local artifacts at the Jewish Historical Society of Greater Washington didn't make the print edition, so I'm highlighting 'em below.
These 1957 license plates were donated by the late Rabbi Tzvi Porath in 2004, and were used when he took part in the inaugural parade of President Dwight Eisenhower. In addition to serving as the rabbi at Ohr Kodesh Congregation from 1952 to 1984 in Chevy Chase, Md., Turman says Porath made “a very big effort to extend his reach beyond his congregation.” According to the Dwight D. Eisenhower Library and Museum, Porath was a co-chairman of the Religious Observance Sub-Committee under the 1957 Inaugural Committee.
A menu boasts delicious blintzes sold by Rich’s Restaurant, a Jewish deli and restaurant formerly at 19th and E streets Northwest that was opened by Seymour Rich in 1945. “If I told you were there lines outside at lunch time, it would not be an exaggeration,” recalls Rich’s son, Ronald Rich of the restaurant that closed in 1971. “Dad would not seat two people at a table for four. You had to double up. You had to have at least three people at a table and people didn’t mind no matter how big a shot you were.”
Below, Ronald poses with his grandfather in front of the restaurant.
And while the trio of commemorative books -- given to Jewish leader Simon Wolf by his daughter Florence Gotthold in honor of his 70th birthday in 1906 -- were featured in print, I had to show you all more photos since the books are so beautiful.
One of the many inscriptions by local and national personalities was by Heurich Brewing Company president Christian Heurich. An excerpt: “If there were more Simon Wolfs in this world, society would be the gainer.”
Mornin' kiddos! This past Saturday, Sean and I stopped by the opening night of Submerge DC, the week-long art happening put on by the No Kings Collective (who I recently wrote about in the Washington Post Magazine.) Great time. If you have a free night this week you should make a point to stop by.
A few minutes into our arrival, Sean was already checking out the only vehicle in the place. Meanwhile, I got the No Kings boys (Brandon Hill and Peter Chang) to take a second from running around to take a photo with moi.
Local entrepreneurs Twice as Warm were on the scene, pressing T-shirts on the spot. Across the room, folks were donning 3-D glasses to see the work of XXist.
LOVE this piece by Asad Walker. A true talent. Hope to actually meet him at one of these things some time!
Spray paint pieces by Gregg Deal = awesome.
Imagined conversation between Peter and Sean: "Nice pony tail!" "Nice curls!" "Nice glasses!" "Nice bowling shoes!"
On seeing this piece by Truth Among Liars, I couldn't help thinking this installation probably wasn't cheap to do.
And because I'm SO mature, I tried to blend into the scene ala where's sex-toy Waldo.
And these animal themed glass works by Mericle were among my faves of the night.
All in all, a lovely night. Hope to see you the next time around my lovelies!